ARTS & THEATER
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Recovery, Witness, and Peer-to-Peer Support
Sean: A warmline, which is a phone number that you can call, and a peer-to-peer person in your industry will…
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Aerial Performance in a Wheelchair
Tjaša: And so are you now based in New York or are you still based in the Bay Area? Laurel:…
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Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation
Dr. Julius Fleming visits the Segal Center to discuss his recent book, Black Patience: Performance, Civil Rights, and the Unfinished…
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Recasting, Restorying, and Restructuring Shakespeare for Liberation
Recasting refers to giving a metal object new life by melting it down and reforming it. By taking Shakespeare out…
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Science Theories Are Like Swiss Cheese
Tjaša Ferme: Welcome to Theatre Tech Talks: AI, Science, and Biomedia in Theatre, a podcast produced by HowlRound Theatre…
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Finding the Individual in Your Digital Choreography Library
LaJuné McMillian: What’s different about this process versus a normal motion capture process is that normally when someone does motion…
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Justice for Movie Musicals, or Why the Musical Adaptation of The Color Purple Matters
Leticia Ridley: Welcome to Daughters of Lorraine, a podcast from your friendly neighborhood Black feminists exploring the legacies, present, and…
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Suzan-Lori Parks’ Watch Me Work
Watch Me Work is a communal work session for anyone eager to nurture and sustain their creative process. Facilitated by…
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Autistic Artists Should Be Telling Autistic Stories
Theatre is a powerful force. The stories told onstage shape how an audience views their friends, children, and colleagues. It…
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A Circus Robot’s Death-Defying Act
Tjaša Ferme: Welcome to Theatre Tech Talks: AI, Science, and Biomedia in Theatre, a podcast produced by HowlRound Theatre Commons,…
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